|
|
|
1999 |
Aleksander Novak-Zemplinski
The Parish Church for Our Lady of Guadelupe
Fourth Year Design Studio |
|
|
|
2000 |
Manuel Garza
Washington Boulevard Master Plan
Third Year Design Studio
“As a student of Tom’s 3rd year studio, the mental switch occurred and
that all the complexities that come with designing a building were
first highlighted. Tom has a great way of describing issues at
multiple scales. He would address the class with a finite perspective,
but allowed us all the realm to explore, oppose, question, and re
define. His experience and knowledge of Historic Preservation and
Restoration peeked interests across the studio. Architectural
discourse after all was not just about the future. The past was very
much alive. He would reinforce the importance of observing the past,
that is understanding context, and integrating our designs in order to
compliment that existing fabric. His loose but firm hand at walking us
through the program inspired me to seek a similar role. After my
completion of my bachelor degree, I teamed up with Tom and helped
teach another studio on Preservation. His dedication and drive to
connect us with other professionals once again exposed an entire new
generation to the present issues Preservation Architecture
encountered. I kept learning about the profession, and now I was
learning about mentorship, patience, and dedication. I was very lucky
to have established this relationship and will continue to question,
oppose, and redefine my role in the profession as I collaborate with
Tom on future en devours.”
Manuel Garza, MA Architects |
|
|
|
2000 |
Jeffrey
Freund
Washington
Boulevard Master Plan
Third Year Design Studio
|
|
|
|
2001 |
Carlo Liburdi
An
Architects Birdhouse - Reitveld’s Schroeder House
Second Year Design Studio
“Tom was one of the most influential studio teachers I had at UDM. His
ideas and approach to teaching design stayed with me throughout school
and have carried over into my professional career. I feel that his
dedication to the student as well as to the profession has made me a
better architect.”
Carlo Liburdi, UDM 2008 |
|
|
|
2002 |
Mathew Denner
Belle
Isle Conservatory Expansion
Second Year Design Studio |
|
|
|
2003 |
Anthony
Kraatz
Theater of Light Research Institute
Second Year Design Studio
“Tom has had a positive influence not only in my education, but now as
I progress in my professional career. I have taken the values that he
instilled upon me seven years ago in my second year of the Masters of
Architecture program at the University of Detroit Mercy. He made it a
point to not only focus on architecture as a physical existence, but
also to focus on the mental and qualitative effects it can have on
people and their surrounding environment.
Anthony Kraatz, UDM 2004 |
|
|
|
2005 |
Ivana
Barasic
Light House Museum | Lake Erie,
Michigan
Second Year Design Studio
|
|
|
|
2006 |
Jessika Hicks
The Theater of Light Research Institute
Second Year Design Studio |
|
|
|
2006 |
Frank Majewski
Urban Infill - Bookends
Second Year Design Studio
“Tom fostered a unique studio environment. It was one which became
multi disciplinary and collaborative in which learning from others
proved critical to the development as a professional. He has helped me
to learn leadership abilities and the importance of confidence and
curiosity as a designer.”
Frank Majewski, UDM 2009 |
|
|
|
2008 |
Steven Bloink
Identity Structures
Masters
Thesis Studio
“In the eight months or so that I have gotten to know Tom, his highest
quality is that of adaptability. He encourages students to design in
their own distinct way, and provides an environment for students to
discover for themselves their own method of design. While proficient
in technical and design aspects, his ability to conform to the
multiplicity of student's needs and adapt to their specific qualities
makes his teaching style, not only unique, but extremely effective.
For someone like myself who is interested in teaching architecture and
theory in the near future, Tom’s adaptive style has influenced me
greatly. I would hope to be half as effective as Tom was in drawing
out the most creativity and best work from myself and other.”
Steven Bloink, UDM 2008 |
|
|
|
2008 |
Nathan
Buxser
Center of
Research and Development
of Sustainable Fuels
Masters
Thesis Studio |
|
|
|
2008 |
Kaitlin
McVehil
Architecture of Experience
Masters
Thesis Studio
“Tom possessed an extraordinary ability to accommodate each students
specific needs, while balancing the requirements of a thesis, made him
a great professor and mentor. Although my thesis path was out of the
ordinary, Tom never lost faith in my abilities or passion for the
project. He challenged me to think about each architectural gesture
and ground those thoughts in the meaning of my thesis. Tom is a
talented individual who is passing along a passion for architecture
through teaching.”
Kaitlin McVehil, UDM 2008 |
|
|
|
2008 |
Rachel Yoon
Meyers
Transcending
Space
Masters Thesis Studio |
|
|
|
2008 |
Kelly Minard
United Urban Experience
Masters Thesis Studio |
|
|
|
2008 |
Patrice
Rios
The Smart City
Masters
Thesis Studio
“My final year in studio was an eye opening year! I never thought I
could accomplish an entire project on my own without someone holding
my hand the whole way. Tom was by far the best studio instructor I
could have asked for, he was there to inspire, not to dictate and I
appreciated that. Not only did I learn how to design and present a
well put together project, but I enjoyed it and was lucky enough to be
in a great working environment with Tom.”
Patrice Rios, UDM 2008 |
|
|
|
2008 |
Brock Soderberg
Architecture While Listening to SDRE
Masters Thesis Studio |
|
|
|
|